Today, I would like to pay tribute to
a man without who’s drive, determination and Texas ingenuity, Manos, The Hands of Fate
could not exist. Harold P. Warren. Writer, Director, Producer and Star. Today is the anniversary of his death on
December 26th, 1985 and I would like to say a few words to honor
him.
Hal Warren came up with the idea
for Manos on a bet with Hollywood screenwriter
Stirling Silliphant
(who had worked on the show Route 66).
Hal said anybody could make a movie.
Even he could make a movie…and so he did. He raised about $19,000.00, mostly by selling
stock in the film. At that time, Hal was
working as manager of the
American Founder's Life Insurance Co. in El
Paso , Texas and was
active in local civic groups and community theater. Through his connections he was able to secure
many of the things and necessary people he needed for little to no money. The Festival Theater, now known as The El
Paso Playhouse was where Hal met my father, Tom Neyman who was a regular actor
and director. That was where he also met
John Reynolds/Torgo and William Bryan Jennings/Sheriff. Hal had a knack for recruiting people with a
variety of talents. Mr. Jennings was an
attorney in his day job and had worked for the D.A’s office. I am only speculating here but I imagine that
was the connection to Judge Coldwell who supplied the film locations of the
house and the Master and wives resting place. Besides playing the part of the Sheriff with
the classic line, “Whatever it is you’re not doing, go do it somewhere else”, Mr.
Jennings is credited with being President of Sun City Films and the lawyer for
Manos. Bob Guidry was a cameraman for a
local television news station and Bernie Rosenblum was a local photographer. I understand that Bob, Hal and Bernie’s six
hour Manos editing session happened one evening at that television station using
the stations equipment. My father, Tom
Neyman was/is a very talented artist and my mother was a talented seamstress,
so my father agreed to not only be The Master, but to clothe him, create his
environment and decorate it with artwork. My dad also supplied the kid, the demon dog
and the family car. Diane Mahree fell
into the picture when she responded to a classified ad for an acting job. Although, at that time, she had no acting
experience, she needed a job. She tells
a story of arriving for the audition and then kept there for many hours reading
lines. She was going for a part as a
wife and could not understand why he needed her to do so much reading until he
finally announced that she was the lead actress. After Manos, Diane left El
Paso and launched a very successful modeling career in New York and Europe . The wives were students at the Mannequin Manor
Modeling School
in El Paso . During
filming, Hal was heard to yell at them to stop walking the runway. The wives costumes originally did not have
the red strip of cloth underneath, but the lead wife and the owner of the
modeling school were not comfortable with the revealing nature of the dresses
and insisted on something more conservative.
So, based on time and budget the piece of red cloth was added. At the premire, Hal had found a red carpet
for his cast and crew to walk upon into the Capri Theater and borrowed spot
lights from a car dealer to place in front of the theater scanning the sky to
create a Hollywood feel. He rented a single limo to circle the block picking
up cast members and delivering them to the red carpet. He even added the detail of autograph seekers
in the form of young street boys with paper and pencils. To be sure.
Harold P. Warren was a visionary and it would be great to hear what he
thinks now of his baby. I’m sure he
would be thrilled with the Love of Manos that has built up since MST3000
brought it back to life in 1993. So,
thank you Hal for your contribution to this world and I hope you have many
blessings in the next.
Blessings to
you all in the upcoming New Year of 2013.
Thank you for reading. Thank you
for your Manos fandom. “Hands down” Manos fan are some of the best people I’ve
met and I appreciate you all so very much.
Very nice synopsis and again, more nuggets of history. Blessings to you and your dad in this upcoming new year! :)
ReplyDeleteAwesome tribute to an Awesome man. Blessing to all.
ReplyDeleteHere's to Hal Warren and all the people who made Manos possible!
ReplyDeleteBeautiful post! Once again, thank you for the first-hand recollections =)
ReplyDeleteI too would like to think that Warren would love how Manos has rediscovered its audience so many years later. He was once quoted as saying something like "If we took it back and re-dubbed it, we could market it as a comedy". That's the kind of remark that makes me think that he'd completely embrace and appreciate the way that the Manos fandom loves the film not in spite of its weirdness and rough edges, but precisely *because* of that.
To Hal Warren, with undying gratitude for his unique legacy!
Have an awesome 2013. Best wishes to you and yours!
I must make a correction. In re reading this post, I realized I flubbed my favorite line in Manos. So sorry Sheriff. The line is "Whatever it is you're not doing, go don't do it somewhere else.
ReplyDeleteI would have to say that the borrowed spot lights from a car dealer made the mark. Some people from Cars in Texas for sale would be so proud too.
ReplyDeleteYou are so welcome Joe. I would love to share some stories of your Dad if you are willing. The fans would be very interested to know more about him.
ReplyDelete