I remember John Reynolds as a very shy, sweet and gentle man. My dad, Tom Neyman, and I were on the set location for most of the filming of "Manos, The Hands of Fate" including the times when one or the other weren't needed for the day. That was because I wanted to be there any time Tom was, and he needed to be there any time I was and since we were never in the same scene, we were both there most of the time. I think John was happy to have me around during his down times because of his shyness and lack of social comfort. I was a young child, easily entertained and therefore a very appreciative and safe audience. I would sit outside the house on a low rock wall while he performed silly skits and pratfalls for me and I would belly laugh at his antics. I didn't realize at the time that some of that may have been influenced by his use of recreational drugs. It was the 60's and other than pot, acid was a popular past time for many people. I have read Manos mythology that says he became addicted to pain killers due to the agony of wearing the leg braces incorrectly. Not true. For one thing, he was wearing them the way they were intended and they were quite padded. Although not all that comfortable, they were not particularly painful.to wear. Another myth is that he made the braces himself. Tom made the leg braces along with designing the sets and costumes, making the costumes and providing all the artwork.
John and Tom were good friends and had worked together in the El Paso community theater that is now known as the El Paso Playhouse. Back then it was the Festival Theater. This is also where Hal met them both. John and Tom were both method actors, that is to say they required history and background for their characters and often maintained the character even while off camera. John often disappeared when not needed and no one seemed to know where he went. We believe it was both due to his social awkwardness and also so he could more easily hold on to his Torgo character. Method acting in that situation must have been extremely difficult. Hal, without the experience of script writing, directing or any part of movie production left the actors to their own devices in figuring out how to play the part. Tom had enough experiencing directing theater to know not to direct the director. Therefore during much of the film, Hal is waiting for someone to do something and everyone else is waiting for Hal to tell them what he wanted them to do.
Stay tuned. Next blog will continue with more about John Reynolds.
A blog about my experiences with Manos The Hands of Fate as the only surviving cast or crew willing to talk about it. Author of "Growing Up With Manos The Hands Of Fate" and producer of the sequel "Manos Returns"
Saturday, October 13, 2012
Thursday, October 11, 2012
Part II The inside story of Manos, The Hands of Fate:
Here’s
the story of how we re-discovered Manos more that a quarter century from it’s
original release...
As friends of my youth will attest to, I
had talked about a film I had done with my dad when I was small and wanted very
much to see it again. It was a point of
nostalgia for me considering how involved my whole family, including our dog,
was in the making of Manos. You
must remember. These were the days before personal computers and
before the internet.
I called around, asking and searching for
years. Libraries, university film
departments, film archives, any place I
could think who might be able to give me a lead. I had pretty much given up when my phone rang
1993. My dad was calling and said, “You’ll
never believe what I just saw. I was
dozing off while watching the Comedy Central channel and heard some strange but
familiar music. When I opened my eyes,
there I was on the television. They just
showed Manos, The Hands of Fate!”. He had been so shocked that he didn’t call me
until it was over. I immediately turned
on Comedy Central and saw they had an 800 number on the screen to call for information. So I called the number. I had reached the HBO offices in Manhattan and a young man
named Mathew. I told him I had an
unusual request. “My dad just saw an
episode of Mystery Science Theater featuring the film, Manos, The Hands of
Fate. I’ve been looking for that film
for years. My dad and I were in it and
if at all possible I would do just about anything for a copy.” Next came a looong pause and then “Oh My
God! Are you Debbie?” I was simply stunned as I pulled the phone
from my ear to look at it while my mouth hung open. He
then said “That is our favorite bad movie here in the office. I just had a copy on my desk the other
day. I would love to send it to you and
am so happy to talk with you”.
And now, as we all know…the rest is
history.
Tuesday, October 9, 2012
Part I The inside story of Manos, The Hands of Fate.
Hello all,
If you know Manos, The Hands of Fate, you know me. I was Debbie, the little girl who became a wife of The Master in the end. For any of you that I just gave the ending away to...Sorry, but really, it's not that great a film to begin with. As fans know, it's the total experience of sitting through it that counts. Certainly not the plot.
Manos was truly a family film. For me personally...not the poor hapless audience. My father Tom Neyman played the role of The Master (He still quite hale and hearty, by the way). The Master's demon dog was played by our family dog, Shanka. My mom made the costumes for the Master and the wives. She also made the dress I was wearing but that came from my own closet. My mom made all my clothes back then. The convertible car that carried the Micheal, Maggie, Debbie family was the Neyman family car. Torgo's coverall, jacket and hat all came from my father's closet. That's just a piece of our involvement. My dad, Tom is an amazingly talented artist and had been in his "hand" phase for several years when Hal Warren asked him to help make the film. Initially, the film was to be titled, "Finger's of Fate" but in a production meeting, my dad suggested the new title of "Manos, The Hands of Fate" He reasoned that since he had been asked to not only star in the film but to provided sets, costumes, and artwork (all on a promise of future payment), that he could better put his time to work if he could use some of the art he already had. Hands, lot's of them. I haven't actually counted the pieces in the film but all the art, the sculptures and the Master's painting were created by his hand. Sadly, some of those item's were never returned to my dad. But hey, I got paid something. I received a shiny red bicycle with training wheels and my dog, Shanka got a 50 lb. bag of dog food.
That's it for now. Thanks for reading and come back soon. I've got lots to say about Manos, The Hands of Fate
If you know Manos, The Hands of Fate, you know me. I was Debbie, the little girl who became a wife of The Master in the end. For any of you that I just gave the ending away to...Sorry, but really, it's not that great a film to begin with. As fans know, it's the total experience of sitting through it that counts. Certainly not the plot.
Manos was truly a family film. For me personally...not the poor hapless audience. My father Tom Neyman played the role of The Master (He still quite hale and hearty, by the way). The Master's demon dog was played by our family dog, Shanka. My mom made the costumes for the Master and the wives. She also made the dress I was wearing but that came from my own closet. My mom made all my clothes back then. The convertible car that carried the Micheal, Maggie, Debbie family was the Neyman family car. Torgo's coverall, jacket and hat all came from my father's closet. That's just a piece of our involvement. My dad, Tom is an amazingly talented artist and had been in his "hand" phase for several years when Hal Warren asked him to help make the film. Initially, the film was to be titled, "Finger's of Fate" but in a production meeting, my dad suggested the new title of "Manos, The Hands of Fate" He reasoned that since he had been asked to not only star in the film but to provided sets, costumes, and artwork (all on a promise of future payment), that he could better put his time to work if he could use some of the art he already had. Hands, lot's of them. I haven't actually counted the pieces in the film but all the art, the sculptures and the Master's painting were created by his hand. Sadly, some of those item's were never returned to my dad. But hey, I got paid something. I received a shiny red bicycle with training wheels and my dog, Shanka got a 50 lb. bag of dog food.
That's it for now. Thanks for reading and come back soon. I've got lots to say about Manos, The Hands of Fate
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